

Thank you for considering Dying Breed Music.
At Dying Breed Music, we specialize in premium vintage guitars and are proud to offer a deeply personal approach to buying, selling, trading, and consigning. When you reach out, you’ll speak directly with the owner — no middlemen, no floor sales staff, and no runaround. We believe in doing business with integrity: fairness, honesty, and respect. Each guitar is shipped with expedited service — most arriving overnight — and every purchase includes a handwritten thank-you note. Our motto, “Only the Best Will Do,” is more than a tag line — it’s the standard we live by. Whether you’re a seasoned buyer or making your first vintage investment, we’re here to ensure you’re treated like a human being, not a transaction. No one will work harder for all sides.
Our Loyal Customers make our Business!
Lane has built a very successful business called Dying Breed Guitars, which specializes in selling rare vintage musical instruments worldwide. Lane's keenness and depth of perception for this type of business has allowed him to flourish in the music industry, granting Dying Breed Guitars to become known across the globe. Lane has been able to grow his business not only with private referrals, but with strategic advertising as well, reaching his audience right where they are and affording Lane the luxury of completing very high revenue deals with ease.
I observed this first-hand as he exhibited the drive and determination to attend graduate school at Southern Cal and obtain his master's degree while concurrently operating his very busy business.
The success of Lane's vintage guitar business is something most people would admire.
But in addition to the guitar itself, I wan to thank you for all your efforts to support the transaction in the most trying of times -- in the middle of a pandemic. Through the whole process, your reliability and professionalism were exemplary -- I would not hesitate to recommend you to anyone.
You can evaluate Lane's academic background with a quick glance at his resume. His professional history is astonishingly strong. However, Lane has other qualities you won't see on his transcript or his resume. Lane will never fail to impress you with his commitment to integrity, reliability and honesty. These values described Lane at 18 years old, and l've seen him grow these attributes in his graduate education environment at USC.
I've known and worked with Lane for more than a decade, and I'm pleased to offer an unvarnished and highest recommendation on his behalf. I will never be surprised by anything Lane accomplishes. Have fun with your new guitar!

1924 Martin 0-42
Just in from a client in West Virginia. Another pearl top Martin. 1924 0-42 that has been professionally refinished. 12 fret slot head in Calton case. Only 392 0-42s were made in the history of Martin, considerably fewer than the 00-42 model.
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1929 Gibson L-2
For now get your name on the list or put down a deposit. The rarest guitar in stock- a first batch of production 1929 Gibson Argentine Grey and Gold Sparkle L-2 in original case. Contact for pricing.
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1955 Gibson Les Paul
Just in at Dying Breed from a friend and client in a North Carolina- a two owner 1955 (first year for Tune-O-Matic bridge) Les Paul Gold Top. The best Gold Top we’ve ever had- dead original and housed in its original brown Lifton pink interior case. A favorite of studio players in every major city and an icon among icons.
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1941 Gibson ES-300
Just in from a new client in California, one of the most aesthetically pleasing guitars in stock. Housed in the original red line case is this nitro finish pre War white paper label 1941 Es-300. Torch logo on the headstock, the finest woods, and inlays hand installed by true craftsmen.
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1937 Kalamazoo KG-11
Just in from a new client in Denver. We’ve sold dozens L-00s but very few Gibson made Kalamazoo brand guitars. This 1937 KG-11 is set up and ready to go with a huge voice. Handmade American pre war craftsmanship.
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1960 Fender Stratocaster
Just in from a world class award winning studio- a custom color slab board 1960 Stratocaster. Housed in the original case, pre CBS Strats are consistently magical and I guarantee your favorite artist owns one. The vast majority of custom color Fenders are not early enough to have a true slab fretboard.
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1920s Washburn Parlor Guitar
Just in from an eight time number 1 songwriter, a 12 fret slotted headstock Brazilian circa 1920s parlor guitar. Dead perfect setup and intonation. Handmade in Chicago and ready for the next 100 years.
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1968 Martin 5-18
Made famous by various popular artists of the sixties and seventies, here is a model 5-18 from 1968. Among the smallest instruments Martin ever made. A great value and just in from Nashville from a #1 hit songwriter. The perfect couch or travel guitar. Original case.
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1965 Asymmetrical Cut Epiphone Olympic
Just in from a Nashville Grammy nominee. A 1965 asymmetrical cut Epiphone Olympic in original case. Set up perfectly. Set up perfectly. Slab body, all original instrument with a lot of upside. Housed in the original case.
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1943 Gibson Southern Jumbo
Just in from a Songwriter Hall of Fame member. A much vaunted banner era 1943 Southern Jumbo. These are revered enough that books and documentaries have been produced. A superlative instrument and excellent value. Handmade from extremely high end materials.
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1940 Martin D-28
Just in- a guitar that needs no introduction- but we will give one anyway. A pre war 1940 D-28 in original case from the original owner’s son. An U.S. Army World War II veteran purchased this guitar new around the time of his service. Included original string packages, capos, original leather strap, a vinyl record the original owner recorded, and two photographs of the gentleman. This original finish guitar spent its life in the Carolinas.
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1945 Martin D-18
Just in from a client in Los Angeles. A 1945 D-18. Adirondack top over tapered braces- a very short window for this combination of features- about 14 months. Professionally refinished. A unique sound perfect for your next gig, writing session, or recording. The Adirondack war time D-18 is largely the sound in your head.
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1945 Martin Herringbone D-28
HOLY GRAIL. It is truly hard to beat an Adirondack top and Brazilian back and sides herringbone dreadnought. This one is certainly no exception. It has a very old and well done refin and a changed bridge. The tuners and pickguard are original.
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1934 Gibson Jumbo
Nearly universally agreed upon as the best sounding guitar at the Dying Breed Music booth- the vaunted and extremely rare 1934 (first year) Jumbo. The jumbo model was Gibson’s very first dreadnought, 16 inch flat top. They created it to compete with Martin’s dreadnoughts.
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1912 Martin 0-21
From one of the best luthiers in the world, a 1912 0-21 string with light gauge steel. Herringbone, diamond inlays, Adirondack top, Brazilian rosewood, 12 frets to the body, C.F. Martin logo impressed into the back of the slotted head stock. Hand scalloped x bracing. Ebony board. No issues.
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1993 Gibson Les Paul Custom
Just in from a former Nashville musician who toured with Tanya Tucker, a 1993 Gibson Les Paul Custom. From the “good wood” era, the best and craftsmanship, arguably since 1954-1969. This guitar is near mint, triple bound, and possesses a perfect top and a flawless finish. Gold hardware all around.
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1931 Martin 00-21
From Hawaii, a 1931 Martin 00-21. My one personal guitar for a time was a 30s 00-21. They are special. Adirondack top, forward shifted scalloped bracing, herringbone trim, snowflake inlays over ebony board, and Brazilian rosewood back and sides. All original except one tuning key.
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1917 Gibson L-3
Just in on consignment contract. A white paper label 1917 Gibson L-3 in original case. “The Gibson” on the headstock.
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1957 Fender Telecaster and 1954 Wide Panel Fender Super
What’s in the tweed case? A 1957 Fender Telecaster and a very rare 1954 wide panel Fender Super. The telecaster has been refinished and has a replaced neck. Original ash tray guard. The amp is a professional retweed done by Victoria with very high end Italian speakers.
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1946 Gibson Logo Southern Jumbo
One year only for this 1946 logo Southern Jumbo. Southern jumbos aren’t just J-45s with more ornamentation and inlay- they were also built with better wood. A dream guitar for many and a first choice for many luminaries including Ray Wylie Hubbard.
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1967 Gibson ES-335
Just in on consignment contract. A king among guitars. The 1967 Gibson Es-335 with rare Maestro vibrola. Mint original condition right down to the frets. PAT Humbuckers. Original case. Burst finish.
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1930 Larson Brothers Style 6
Summer Sale Price. $9,750. This 1930 Larson Brothers Stahl 6 style is a rare and exceptional find. It is comparable in quality, craftsmanship, and materials to the Martins of the day.
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1996 Martin Golden Era 12 fret 000-28
Made for one year only. 1996 Martin Golden Era 12 fret 000-28. Signed by C.F. Martin and numbered (176). Scalloped braces and herringbone trim. The Golden Era series was the best iteration of vintage reissues until the Authentic series came out. Near mint condition.
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1956 Gretsch Jet Firebird
Much more to come but if you know you know. A real vintage jet firebird. If interested please reach out. 870-818-3434. Straight from Nashville. Mahogany body with a real maple top. These pickups are special. A lot of value for your money.
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1953 Martin 0-18
A 1953 Martin 0-18 just in on consignment contract. Indeed, a fabled mystery top. This one already has some interest. A great way to get into a vintage Martin.
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1942 Martin 00-17
Just in on consignment contract from Kansas City. A clean 1942 00-17. These always sell quickly. All mahogany and scalloped braced. A dream guitar for songwriters, travelers, session players, and anyone with a porch or fireplace.
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1942 Gibson L-7
Just in on consignment contract. A 1942 Gibson L-7, X braced, maple back and sides, carved spruce top, Fleur-de-lis headstock inlay, and in the original case.
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1983 Martin 150th anniversary D-28
A 1983 Martin 150th anniversary D-28 complete with Brazilian rosewood back and sides, shade top finish, and commemorative stamp on the inside. Produced for only one year- this is a gem- and is now 42 years old. In the original case.
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1957 Fender Princeton Amp
A 1957 Fender Princeton. A watershed year by all accounts. 57 is very often the year Fender has focused on for the 30 years when recreating vintage guitars and amps. This amplifier represents the best in tone, rarity, and condition. All original tweed and internal components with the original tube chart and schematics still intact. One of the most sought after amps on the planet.
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1961 Fender Stratocaster
NEW LISTING. After eleven years in this great business and going to guitar show to guitar show from sea to shining sea- THIS is the cleanest slab board Strat I’ve ever seen. 1961. Vibrant. Mind boggling in a genuine sense. Not only that but it comes with the original ashtray guard as well as case candy.
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1968 Gibson EB-0
Just in from Southern Louisiana. A circa 1968 Gibson EB-0 four string bass. In original case and equipped with a Brazilian rosewood board. This bass belonged to a professional musician who toured the Southeast opening for John Anderson, Hank Williams Junior, David Allan Coe, and Mark Chesnutt. This guitar has seen two generations of highway and stages. An ultra cool maple board instrument. If you like honky tonk, outlaw country, or southern rock- this is the instrument for you.
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1946 Martin D-28
A three owner guitar, it was with the same owner from 1973-2017. 1946 D-28. Originally was purchased in Hawaii while the gentleman was in the Navy. This guitar remains in quite nice condition, retaining the original bridge plate, tuners, pickguard, and frets. A luthier recently installed a replica bridge and performed a great neck set. There was some overspray over the original finish at one time but the vast majority of it has been removed. Last year for herringbone trim.
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1942 D-18
For my money the D-18s Martin made between 1940-1942 are the best they ever turned out. he perfect design collided with the best materials and expert craftsmen to produce the sound that is in your head. This 1942 has a nicely repaired head stock crack.
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1934 Gibson Roy Smeck & 1934 Gibson Jumbo
The jumbo model was Gibson's very first dreadnought, 16 inch flat top. They created it to compete with Martin's dreadnoughts. The Gibson dreadnought body had upper bouts that were more rounded than Martin’s, giving rise to the distinguishing terms that are still used today.
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1925 Martin 00-18
A wonderful pre War steel string 1925 00-18. An incredibly rare guitar in this model and 12 fret configuration. The guitar is feather light and plays perfectly thanks to an expert Lanham neck set along with a replica bridge and plate. Ebony, Adirondack, Honduran mahogany, and hide glue. This guitar is housed in a CALTON case, and most of us know that means. This guitar is articulate, loud, responsive, filled with sustain, and records like a dream.
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1972 Telecaster
Just in from Southern Louisiana. A 1972 four bolt blonde telecaster in original case with original Fender polishing cloth. This guitar belonged to a professional musician who toured the Southeast opening for John Anderson, Hank Williams Junior, David Allan Coe, and Mark Chesnutt. This guitar has seen two generations of highway and stages. An ultra cool maple board instrument. If you like honky tonk, outlaw country, or southern rock- this is the guitar for you.
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1978 Gretsch Country Gentleman
One of my earliest guitar related memories was wanting a Country Gentleman. Now some 25 years later comes this 1978 Gretsch Country Gentleman. It’s as beautiful and vivid as the first time I saw one on stage. Made in U.S.A.
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Klon Centaur
The hits keep coming! We are blessed to have some of the best gear in the world. And now we have a Klon Centaur. Is this what your rig is missing? This is a good time to buy at these prices.
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